[spectre] Fwd: CfP Conf. “Aesthetics of Machine Vision” (15-16 September 2022, Odense, DK)
Andreas Broeckmann
broeckmann at leuphana.de
Thu Mar 10 15:37:35 CET 2022
Betreff: Conference CfP at SDU
Datum: Thu, 10 Mar 2022 10:00:23 +0000
Von: Lila Lee-Morrison <lile at sdu.dk>
Call for Papers: “Aesthetics of Machine Vision” Conference
University of Southern Denmark (Odense, Denmark)
September 15-16, 2022
Deadline for Abstracts: April 6, 2022
This conference aims to bring together a wide range of scholars,
researchers and artists who explore the phenomenon of machine vision and
the aesthetics of its modes of perception. Machine vision refers to
advanced technologies which have been developed to carry out operations
of visual automation in areas of inspection and observation in wider
society. In referring to “machine” we include not only the software
which underlies contemporary algorithmic systems but also reference the
hardware and wider concurrent material relations, which constitute its
operations. An increasing reliance on these technologies and its modes
of seeing have far reaching cultural and socio-political repercussions.
In investigating the aesthetics of this phenomenon, we aim to engage
with these repercussions critically, analytically as well as
speculatively. Within this context a recurrent question within the
sciences and in visual culture theory thus appears again: Can we see,
seeing? In examining the aesthetics of machine vision, we aim to reveal
a machinic seeing, thus allowing us to scrutinize the ways in which it
intervenes in the world through “more-than-human” perspectives.
We are interested in the “aisthesis” of machine vision, in the broadest
possible sense of its aesthetic-experiential aspects, its affectivities,
bodily entanglements, materiality, and the speculative reflections of
such sensoria. We invite scholars, artists, and practitioners to engage
with how aesthetics/artworks/sensoria as imaginaries can reflect on the
power of machinic sensing within the wider contemporary arenas of
cultural, ethical, environmental, and sociopolitical realms.
Exploring the aesthetics of machine vision, we raise the following
questions: How can machine vision engage new epistemic practices? Does
the non-human view provide the possibility to overcome ocularcentric
modes of seeing the world, and what are the social implications? What
can we learn about “non-human” modes of visual sensing which provide
perspectives on the human and our environments? In which ways are these
operative machinic forms of visions embedded in socio-political
structures which execute, disrupt and/or uphold certain power relations?
This conference is organized in four primary directions:
1. Artistic engagements with machine vision
This direction invites artists and art scholars to discuss artistic
engagements with technologies of machine vision that foreground the
speculative. We especially invite machine vision appropriations that
deal with the cultural and socio-political contexts of its
implementation including satirical and critical interventions.
2. Sensing and automation
This direction invites analyses on the sensorial aspects of machine
vision technologies engaging with issues around remote–sensing, data
sensing, and the architecture of machine vision sensing and its
underlying logic. This direction invites submissions that investigate
capacities of non-human sensing and machine-human assemblages.
3. Operations and contexts
This direction invites analyses that critically explore the specific
applications that machine vision systems have been designed to operate
within. The expansion of its systems and the increasing dependency on
machine vision systems in various areas of social, economic, and
political realms lead to further examination of its use in these wider
contexts. It is important to not only look at the architecture and logic
behind machine vision processes but also the wider socio-political
contexts which these systems engage. This includes examining the
distributed forms of labor behind its design and operation and its
regional and situated contexts.
4. Histories
Machine vision is not only about computational modes of vision but also
about the analogue apparatus that capture the world visually. This
direction invites submission that engage with the historical legacies
which anticipate machine vision, further examining continuities and
disruptions of its logic and technology and how they may relate to
historical discourses within but not limited to photography, film,
architecture, philosophy, art practices and visual culture.
Venue:
The conference will be held physically at the University of Southern
Denmark, Odense.
This conference is organized by Lila Lee-Morrison and Dominique Routhier
and members of the research cluster “Drone Imaginaries and Communities”
(www.sdu.dk/diac) which is led by Prof. Kathrin Maurer, leader of Center
for Culture and Technology (www.sdu.dk/en/culttech).
Please send an abstract of up to 300 words, with a short bio and if
there is a particular direction you would like to be included in, to:
lile at sdu.dk and dominique at sdu.dk
Deadline for Abstracts: April 6, 2022
Notification and Invitations: April 20, 2022
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