[spectre] any news on the revolutions?
Simon Biggs
simon at littlepig.org.uk
Thu Mar 10 13:15:30 CET 2011
You could ask William Hague. He has an excellent reputation ;)
Best
Simon
On 10/03/2011 11:59, "Andreas Maria Jacobs" <ajaco at xs4all.nl> wrote:
> Hi Simon
>
> understandable, feeling insulted depends on cultural sensibilities.
>
> I need a diplomat to help
>
> ; - )
>
> -- AA
> w: http://nictoglobe.com
> w: http://burgerwaanzin.nl
> w: http://nictoglobe.com/new/agam
>
> e: ajaco at xs4all.nl
> e: a.andreas at nictoglobe.com
>
> On Thu, March 10, 2011 12:45, Simon Biggs wrote:
>> Hi Andreas
>>
>> I guess it depends on what you consider an insult. Some people are more
>> sensitive than others. Writing, as you did, "the easy manipulated bunch of
>> ego centered 'artists' and organizations" isn't exactly edifying of those
>> whose favour you seek. I lived and worked in Holland for several years and
>> am also Australian so I know that is some cultures such direct expression
>> is
>> tolerated. However, in other cultures (such as the UK, where I live) such
>> comments would be considered insulting, even when true.
>>
>> I agree with you about art (in the artworld) though.
>>
>> Mainstream contemporary art has become a bloated monster that mirrors, and
>> functions as an apologia for, the excess and greed of late capitalist
>> society. I'd torch the lot.
>>
>> That's not an insult but a threat... ;) and a potential strategy for
>> another
>> approach to art - applying Metzger's auto-destructive principles to the
>> artworld as a whole.
>>
>> Best
>>
>> Simon
>>
>>
>> On 10/03/2011 11:14, "Andreas Maria Jacobs" <ajaco at xs4all.nl> wrote:
>>
>>> hmm
>>>
>>> Simon
>>>
>>> I am not being aware of insulting anyone, just expressing a no-win
>>> situation
>>>
>>> Regarding creative arts, it is my experience that there is hardly any
>>> connection between art producers and art consumers, on the contrary
>>> mostly
>>> 'art' is left alone in an incestuous niche of autocratic power
>>> structures
>>> maintaining a rather steep protecting, invisible, social and economical
>>> barrier between it's self glorifying merits and the ones not taken part
>>> in
>>> it
>>>
>>> I more try to think in a 'Brechtian' way to produce "Lehrstuecke' in
>>> which
>>> the under-informed and underprivileged audiences are given insights in
>>> how
>>> 'art' can be of importance to undermine and surpass this conditions.
>>>
>>> Surely it is difficult to operate in a context that is opposing the
>>> underlying structures of the 'art world' itself, but as a matter of fact
>>> most 'normal' people for ages already dislike art as they intuitively
>>> feel
>>> the class difference expressed in its glorifying and monetary
>>> consequences.
>>
>>
>> Simon Biggs
>> simon at littlepig.org.uk
>> http://www.littlepig.org.uk/
>>
>> s.biggs at eca.ac.uk
>> http://www.elmcip.net/
>> http://www.eca.ac.uk/circle/
>>
>>
>>
>
>
>
Simon Biggs
simon at littlepig.org.uk
http://www.littlepig.org.uk/
s.biggs at eca.ac.uk
http://www.elmcip.net/
http://www.eca.ac.uk/circle/
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