[spectre] Fwd: The River Wailed Like a Wounded Beast: Kyiv Biennial at TRAFO Szczecin

Andreas Broeckmann ab at mikro.in-berlin.de
Thu Sep 12 09:57:36 CEST 2024


-------- Weitergeleitete Nachricht --------
Betreff: 	The River Wailed Like a Wounded Beast: Kyiv Biennial at TRAFO 
Szczecin
Datum: 	Thu, 12 Sep 2024 06:01:25 +0000
Von: 	e-flux Agenda <art-agenda at mailer.e-flux.com>



The River Wailed Like a Wounded Beast: Kyiv Biennial at TRAFO Szczecin 
Artists: Mykola Bazarkin, Oleksii Podat, Yarema Malashchuk, Roman 
Khimei. On June 6, 2023, Russia…
	
	

	
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/The River Wailed Like a Wounded Beast/

	
	

TRAFO Center for Contemporary Art Szczecin

	

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	View of /The River Wailed Like a Wounded Beast/, Kyiv Biennial, 2024. © 
Andrzej Golc / TRAFO 2024. 	


	
	

*/The River Wailed Like a Wounded Beast/*
Kyiv Biennial at TRAFO
August 23–November 17, 2024

*TRAFO Center for Contemporary Art Szczecin*
Świętego Ducha 4
70-205 Szczecin
Poland
*Hours:* Tuesday–Sunday 11am–8pm,
Friday–Saturday 11am–9pm

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*Artists: *Mykola Bazarkin, Oleksii Podat, Yarema Malashchuk, Roman Khimei.

On June 6, 2023, Russian troops blew up the dam of the Kakhovka 
hydroelectric station reservoir, flooding dozens of villages and three 
nature reserves on the Ukrainian steppe. On March 22, 2024, during yet 
another missile attack on Ukraine, Russian missiles hit the Dnipro 
hydroelectric station, causing pollution of the Dnipro River and 
damaging the power plant’s dam (for the first time since the Second 
World War). These two episodes—just a small part of the tragic series of 
events Ukraine and Europe are facing—force us to reexamine the origins 
of the present-day energy infrastructure, its connection with 
environmental crimes and totalitarian regimes of the past. The 
construction of a cascade of hydroelectric stations on the Dnipro River 
and its cinematic representation offer us a look at the dark side of 
Soviet modernization with its “subjugation of nature” narrative, 
continued today in Russia’s colonial ideology.

The project has been created in cooperation between the Visual Culture 
Research Center / Kyiv Biennial and the Oleksandr Dovzhenko National Centre.

The Visual Culture Research Center is an independent cultural 
institution in Kyiv, founded in 2008 as a platform for collaboration 
between the academic, artistic and activist communities. The center is 
an independent public organization involved in publishing and exhibition 
activities, scientific research, holding public lectures, discussions 
and conferences.

The Oleksandr Dovzhenko National Center**(Dovzhenko Center) is the 
largest film archive of Ukraine, which stores more than 7,000 titles of 
feature, documentary, animated Ukrainian and foreign films and thousands 
of archival documents on the history of Ukrainian cinema. The Dovzhenko 
Center is nowadays one of the most dynamic cultural institutions of Ukraine.

Curators: Alona Penzii, Stanislav Bytiutskyi, Oleksandr Teliuk / 
architecture of the exhibition space: Oleksandr Burlaka / exhibition 
design: Lera Guievska / co-ordination of Kyiv Biennial: Vasyl 
Cherepanyn, Serge Klymko / co-ordination, TRAFO: Andrzej Witczak, 
Dominika Głowala, Anna Sienkiewicz-Rogaś.

	

	

	
	
	

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