[spectre] Fwd: The River Wailed Like a Wounded Beast: Kyiv Biennial at TRAFO Szczecin
Andreas Broeckmann
ab at mikro.in-berlin.de
Thu Sep 12 09:57:36 CEST 2024
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Betreff: The River Wailed Like a Wounded Beast: Kyiv Biennial at TRAFO
Szczecin
Datum: Thu, 12 Sep 2024 06:01:25 +0000
Von: e-flux Agenda <art-agenda at mailer.e-flux.com>
The River Wailed Like a Wounded Beast: Kyiv Biennial at TRAFO Szczecin
Artists: Mykola Bazarkin, Oleksii Podat, Yarema Malashchuk, Roman
Khimei. On June 6, 2023, Russia…
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/The River Wailed Like a Wounded Beast/
TRAFO Center for Contemporary Art Szczecin
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View of /The River Wailed Like a Wounded Beast/, Kyiv Biennial, 2024. ©
Andrzej Golc / TRAFO 2024.
*/The River Wailed Like a Wounded Beast/*
Kyiv Biennial at TRAFO
August 23–November 17, 2024
*TRAFO Center for Contemporary Art Szczecin*
Świętego Ducha 4
70-205 Szczecin
Poland
*Hours:* Tuesday–Sunday 11am–8pm,
Friday–Saturday 11am–9pm
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*Artists: *Mykola Bazarkin, Oleksii Podat, Yarema Malashchuk, Roman Khimei.
On June 6, 2023, Russian troops blew up the dam of the Kakhovka
hydroelectric station reservoir, flooding dozens of villages and three
nature reserves on the Ukrainian steppe. On March 22, 2024, during yet
another missile attack on Ukraine, Russian missiles hit the Dnipro
hydroelectric station, causing pollution of the Dnipro River and
damaging the power plant’s dam (for the first time since the Second
World War). These two episodes—just a small part of the tragic series of
events Ukraine and Europe are facing—force us to reexamine the origins
of the present-day energy infrastructure, its connection with
environmental crimes and totalitarian regimes of the past. The
construction of a cascade of hydroelectric stations on the Dnipro River
and its cinematic representation offer us a look at the dark side of
Soviet modernization with its “subjugation of nature” narrative,
continued today in Russia’s colonial ideology.
The project has been created in cooperation between the Visual Culture
Research Center / Kyiv Biennial and the Oleksandr Dovzhenko National Centre.
The Visual Culture Research Center is an independent cultural
institution in Kyiv, founded in 2008 as a platform for collaboration
between the academic, artistic and activist communities. The center is
an independent public organization involved in publishing and exhibition
activities, scientific research, holding public lectures, discussions
and conferences.
The Oleksandr Dovzhenko National Center**(Dovzhenko Center) is the
largest film archive of Ukraine, which stores more than 7,000 titles of
feature, documentary, animated Ukrainian and foreign films and thousands
of archival documents on the history of Ukrainian cinema. The Dovzhenko
Center is nowadays one of the most dynamic cultural institutions of Ukraine.
Curators: Alona Penzii, Stanislav Bytiutskyi, Oleksandr Teliuk /
architecture of the exhibition space: Oleksandr Burlaka / exhibition
design: Lera Guievska / co-ordination of Kyiv Biennial: Vasyl
Cherepanyn, Serge Klymko / co-ordination, TRAFO: Andrzej Witczak,
Dominika Głowala, Anna Sienkiewicz-Rogaś.
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