[spectre] SPECTRE Digest, Vol 213, Issue 10

Cristiana Bottigella cbottigella at gmail.com
Tue Nov 17 12:13:14 CET 2020

Hi there,

can you please unsubscribe me from your mailing list?

Many thanks
cbottigella at gmail.com

On Tue, 17 Nov 2020 at 10:52, <spectre-request at mikrolisten.de> wrote:

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> Today's Topics:
>    1. Ràdio Web MACBA most listened podcasts October 2020
>       (Radio Web MACBA)
>    2. Body and Digitality: From early experiments to    theater-making
>       (Marco Donnarumma)
> ----------------------------------------------------------------------
> Message: 1
> Date: Mon, 16 Nov 2020 15:16:39 +0100
> From: Radio Web MACBA <rwm2008 at gmail.com>
> To: spectre <spectre at mikrolisten.de>
> Subject: [spectre] Ràdio Web MACBA most listened podcasts October
>         2020
> Message-ID:
>         <CAFiNzL0kKZxwfyULP-ETVKomgt7u7xcEg2csK7QTjU=
> z1RyWQQ at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> *Ràdio Web MACBA most listened podcasts October 2020
> <https://rwm.macba.cat/en>*
> *1- Jonáš Gruska
> <https://rwm.macba.cat/en/sonia/sonia-318-jonas-gruska>: “If I build it
> myself I know who to blame when it doesn’t work.”*
> The slovak musician, sound artist, and maker Jonáš Gruska is a proud
> amateur, honouring the French origin of the term (to love what you do).
> Curiosity and passion run through pretty much everything that Gruska
> engages in. In our conversation ranging from his site-specific sound
> installations to his hand-crafted microphones and audio tools, his recent
> interest in mycology, and his playful exploration of the electromagnetic
> spectrum, Jonáš used the word 'fascination' quite a lot. We talk to Jonáš
> about resonating spaces, resonating surfaces, tramways, self-taught
> electronic circuitry, field recordings, fermentation, mushrooms, and
> unusual microphones.
> Link: https://rwm.macba.cat/en/sonia/sonia-318-jonas-gruska
> *2- Professor Oyèwùmi:
> <https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi> "Part of what
> I
> am doing is to historicize how gender became important in the colonies as
> the result of the fact that the colonizers brought their ideas about
> gender. That is the crook of the matter." *
> In this podcast, Professor Oyèwùmi
> <https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi> talks about
> age, seniority, and respect, about unscrupulousness and academia,
> dispossession and spirituality. She considers the oxymoron of the notion of
> “single mother” from the point of view of Yoruba culture, and she also
> notes how observance of community practices from non-Western cultures may
> be an unnecessary step as we face the planetary challenges to come.
> Link: https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi
> *3- Anja Kanngieser:
> <https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser> "I don't know
> what climate justice could exist when the reality is that Kiribati will be
> gone. It's undeniable. Kiribati will be gone. You think about what justice
> would mean. At the moment it's conversations around loss and damages. How
> could you ever compensate for that? An entire land gone and indigenous
> people displaced forever."*
> Political geographer and sound artist Anja Kanngieser
> <https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser> works in the
> coordinates between space and sound. This merging of disciplines that seems
> completely normal to her tends to be more perplexing to the
> compartmentalised world of science and academia than to the undisciplined
> field of artistic practice. In this podcast, we become the listeners
> as Anja Kanngieser
> reflects on expanded listening, on the inaudible, and on our
> anthropocentrism. They talk about their long-standing interest in sound
> governance and dissect the many tensions that built up in the project
> “Climates of Listening”, which was originally based on the intention of
> amplifying campaigns for self-determination and self-representation in the
> Pacific.
> Link: https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser
> *4- *ON LISTENING #1
> <https://rwm.macba.cat/en/research/listening-1-thinking-through-ear>.
> Thinking (through) the ear. With conversations with Salomé Voegelin, Peter
> Szendy, Christoph Cox, Casey O'Callahan, Seth Kim-Cohen and Julian
> Henriques
> *To what extent is listening ‘thinkable’?* Philosophical inquiry, deeply
> rooted in the visual regime, seems to struggle when it comes to
> theoretically coming to grips with listening and sonic phenomena. It is,
> after all, no coincidence that the Greek term ‘theoria’ (θεωρία) means
> ‘looking at, viewing, beholding’. This programme explores philosophy’s
> seeming difficulty in grappling with listening and its counterpart – sound
> – as a powerful deconstructive means to cut through some of the
> philosophical certainties that underpin classical and modern Western
> thought. Can we conceive sounds as objects, or it would be more appropriate
> to consider them events? How far can the phenomenological approach to sound
> take us, and how much can we rely on it? And what about new materialisms?
> Are they more useful, in hermeneutic terms, when dealing with sound and
> listening? These are some of the issues addressed in part one of ON
> https://rwm.macba.cat/en/research/listening-1-thinking-through-ear
> *5- *Reni Hofmüller:
> <https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller>*"The great thing
> in the 80s and 90s was that there was still the possibility to formulate
> radical positions and be heard. Now, with the fragmentation that we have, I
> don't really know who hears me. *
> In this podcast, Reni Hofmüller
> <https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller> shares her early
> commitment with radio, as well as her obsession with dismantling the
> invisible in order to understand and question it. A trip through time that
> takes us from the 1980s to the present, through her personal involvement in
> feminist discussions from the perspective of new media. Our conversation is
> riddled with references to her commitment to open source, to doing things
> together, to the uninhibited mixing of disciplines, and to her passion for
> the electromagnetic sphere and bicycles.
> Link: https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller
> E/N/J/O/Y/
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> Message: 2
> Date: Tue, 17 Nov 2020 11:13:17 +0100
> From: Marco Donnarumma <lists at marcodonnarumma.com>
> To: spectre at mikrolisten.de
> Subject: [spectre] Body and Digitality: From early experiments to
>         theater-making
> Message-ID:
>         <CAJTYuavwxR+VLXJAhcUPvO94OQQpUzDHiqCyisZXAp=
> GE3Jm+w at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> (excuse any x-post)
> Fellow spectrers,
> Our recently funded artists group Fronte Vacuo (Donnarumma, Margherita
> Pevere, Andrea Familari) have just produced an informal video lecture for
> public access and dissemination:
> Body and Digitality: From early experiments to theater-making.
> https://www.youtube.com/watch?v=69ONaW31kl8
> In the talk I discuss the relation of body and technology in the arts and
> how the body is at the center of a transdisciplinary avantgarde that, since
> the 1960s, has been meshing media art, dance and theater; a set of
> practices that made possible much of the art we see today.
> Tags under: #experimentation #performanceAndTechnology #cyberfeminism
> #alternativeEmbodiment #performativity #biophysicalPerformance
> The first 30 minutes are dedicated to a historical overview of body and
> technology works and performances from the 1960s until 2010s, including
> Alvin Lucier, E.A.T, Stelarc, Marcel.lí Antúnez Roca, VNS Matrix, Seiko
> Mikami, Shu Lea Cheang, Santasangre.
> The next 30 minutes are focused on my own work as well as on the
> collaborative works created with Fronte Vacuo co-founders Pevere and
> Familari, including my "7 Configurations" cycle, and Fronte Vacuo's new
> Humane Methods performance and happening series.
> The lecture was recorded with the kind support of Akademie für Theater und
> Digitalität, Dortmund, where myself and Familari are currently Research
> Fellows.
> All works and works' excerpts shown in this video are copyright of the
> respective artists. For sake of conciseness, the historical overview is by
> no means exhaustive. The talk is under a Creative Commons License.
> Please feel free to contact me for questions, doubts, critics, and to use
> this talk in any way it may be relevant to your work, teaching or research.
> Thank you,
> wishing you well,
> --
> Marco Donnarumma, Ph.D.
> *Performing bodies, sound and machines*
> https://marcodonnarumma.com
> *(maybe) ON TOUR*Oct 1-31 | Inanis, World Premiere @ ORF musikprotokoll,
> Graz
> Nov 26-28 | Panel @ Taboo Transgression Transcendence Conference, Online
> Nov 27 - Apr 24 | Alia + Amygdala + Calyx @ Cuando las Mariposas...,
> LABoral, Gijon
> Studio
> Atelierhof Kreuzberg
> Schleiermacherstraße 31-37
> 10961 Berlin
> m: +4915221080444
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> End of SPECTRE Digest, Vol 213, Issue 10
> ****************************************

Cristiana Bottigella
cbottigella at gmail.com

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