[spectre] Ràdio Web MACBA most listened podcasts April 2020

Radio Web MACBA rwm2008 at gmail.com
Thu May 7 11:38:39 CEST 2020

*Ràdio Web MACBA most listened podcasts April 2020

<https://rwm.macba.cat/en/specials/objecthood-7>: Everything is an
ecosystem, at the end of the day.” (Dave Phillips)*


This new episode of Roc Jiménez de Cisneros' OBJECTHOOD
<https://rwm.macba.cat/en/buscador/radio/serie/objecthood-9471> series
features conversations with Diego Falconi, Rick Dolphijn, Dave Phillips,
and music by Kali Malone. A spiral-shaped trip about fire, burning, ashes,
rituals, cooking, food, and jungles. Though it is also about everything
that lies in between and beneath each and every one of those things. The
invisible micropolitics of food in the military; the symbolic charge of
ashes, solid remains of an intangible object – fire – which has shaped this
planet for millions of years; the untold gender-related motifs behind the
Aimara genocide; a circular, cyclical perception of time; or the role and
relevance of ecosystems, even beyond the good old wildlife cliché –
because, you know, “everything is an ecosystem, at the end of the day”.

*2- Terike Haapoja
<https://rwm.macba.cat/en/sonia/sonia-309-terike-haapoja>: “Institutions
are manifestations of how the social organization is cemented in a cultural
mindset. I think of institutions as places that determine the destiny of


Link:  <https://rwm.macba.cat/en/sonia/sonia-309-terike-haapoja>

Finnish artist Terike Haapoja invites us to imagine this posthumanism: a
hybrid, expansive, empathetic “we” with room for ambiguity and difference
and for interspecies political understanding, in which the morbid fantasy
of human exceptionalism and the hierarchy of species is put to rest once
and for all. Drawing on concepts such as Syl Ko’s black veganism, Sue
Donaldson and Will Kymlicka’s expanded theory of animal rights, and Carol
J. Adams’ sexual politics of meat, Terike Haapoja ventures to imagine a
world beyond animalisation and distinctions between protected and
disposable beings.

*3- Fefa Vila: <https://rwm.macba.cat/en/sonia/sonia-307-fefa-vila> 'Uno de
nuestros lemas era defínite y cambia' (only available in Spanish)*

Link: https://rwm.macba.cat/en/sonia/sonia-307-fefa-vila

In this podcast, Fefa Vila
<https://rwm.macba.cat/en/sonia/sonia-307-fefa-vila> reflects aloud on
queerness as a state of radical estrangement, which is constantly being
redefined. She also outlines a lucid, emotive genealogy of the queer,
feminist, and sexual dissidence movements in the Spanish state from the
1970s to the present, which branches out in multiple lines of flight. A
collective dissidence that was seen in the emancipatory struggles of the
1970s and reverberates today. Fefa also talks about the need to experience
other forms of sociability, other affective-relational models, about
motherhood, lesbian motherhood, and about the urgency, in short, of
politically addressing this major unresolved issue, from the perspective of

*4- Lyra Pramuk: <https://rwm.macba.cat/en/sonia/sonia-300-lyra-pramuk>
'There are days where I feel I like trapped in a body and there are days
where I feel I’m just administering hormones and that i’m out here like a
feminist hero/warrior in the pornographic demoliton of society. It really
changes with my mood. That’s the power of good theory.'*

Link: https://rwm.macba.cat/en/sonia/sonia-300-lyra-pramuk

In this podcast, Lyra Pramuk
<https://rwm.macba.cat/en/sonia/sonia-300-lyra-pramuk> talks about key
moments in her childhood and adolescence, which was marked by a rigorous
religious and musical education, and about her subsequent journey to
deconstruct her assigned identity, taking refuge in her love of science
fiction and role-playing games as basic strategies for reinventing herself.
We also chat about performativity, resisting the text, non-verbal music,
live vs studio work, the recording logic of the music industry, the
importance of queer community building, and clubbing in Berlin.

*5- Tatiana Heuman:
<https://rwm.macba.cat/en/sonia/sonia-310-tatiana-heuman>“¿Qué es una pista
de baile? Para mí una pista de baile puede ser cualquier lugar. Tiene que
ver cómo se observa o desde que ángulo." (only available in Spanish)*

Link:  <https://rwm.macba.cat/en/sonia/sonia-310-tatiana-heuman>

To the Argentinian trumpeter, percussionist, songwriter, and producer
Tatiana Heuman, the world is a dance floor and and sound comes into being
through close bodily combat involving intuition, movement, and hurdles.
Thus, a paradox arises in the recording process, when spontaneity and
corporality are reduced to mere beats on a timeline. In this podcast,
Tatiana Heuman talks about music that runs through the body, about the
intersections between dance and percussion, about sounds that move, about
deconstructed folklore and babbling, about formal and informal teaching,
about addition and subtraction, about names that don’t mean anything, and
about the experiences of women who play and lug around drum kits.

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