[spectre] Fwd: CFP: xCoAx 2018 Madrid
Andreas Broeckmann
ab at mikro.in-berlin.de
Sat Nov 18 17:52:17 CET 2017
Betreff: xCoAx 2018 Madrid
Datum: Fri, 17 Nov 2017 14:07:32 +0000
Von: xCoAx <info at xcoax.org>
xCoAx 2018 Madrid xCoAx 2018 in Madrid, submit until January 31st
xCoAx 2018, July 12 & 13, Madrid, Spain
xCoAx 2018: 6th International Conference on Computation,
Communication, Aesthetics and X
12-13 July 2018
Madrid, Spain
http://xcoax.org/
*Deadline for submissions: 31 January *
*Confirmed keynote speaker: Mario Klingemann*
*xCoAx* is an exploration of the intersection where computational tools
and media meet art and culture, in the form of a multi-disciplinary
enquiry on aesthetics, computation, communication and the elusive X
factor that connects them all.
*xCoAx* has been an occasion for international audiences to meet and
exchange ideas, in search of interdisciplinary synergies among computer
scientists, artists, media practitioners, and theoreticians at the
threshold of digital arts and culture. Previous editions of *xCoAx* took
place in Lisbon in 2017, Bergamo in 2016 and 2013, Glasgow in 2015, and
Porto in 2014.
The focus of *xCoAx* is on the unpredictable overlaps between the chaos
and freedom of creativity and the rules and determinism of algorithms,
between human nature and machine technology, with the aim to evolve
towards new directions in aesthetics.
In 2018 *xCoAx* will take place in Madrid, in and around ETSAM, in the
Moncloa area.
Topics
You are invited to submit theoretical, practical or experimental
research work that includes but is not limited to the following topics:
* Computation
* Communication
* Aesthetics
* X
* Algorithms / Systems / Models
* Artificial Aesthetics
* Artificial Intelligence
* Audiovisuals / Multimodality
* Creativity
* Design
* Interaction
* Games
* Generative Art / Design
* History
* Mechatronics / Physical Computing
* Music / Sound Art
* Performance
* Philosophy of Art / of Computation
* Technology / Ethics / Epistemology
Important dates
Submission deadline: *January 31*
Notifications: *March 20*
Registration deadline for authors: *April 30*
Delivery of final versions: *April 30*
Doctoral symposium: *July 11*
Exhibition opening: *July 11*
Conference: *July 12 & 13*
Submission categories
*Paper:* 5 to 10 pages conference paper, following the formatting in the
Word template at http://xcoax.org/xCoAx_2018_PaperTemplate.docx
Revision of papers will be double-blind. Please make sure that the PDF
file is completely anonymized (i.e. omits author-related information in
body of text or as explicit self-citations, notes and bibliography).
Accepted papers will be published in the conference proceedings and
allotted 15 minutes presentation time at the conference.
*Artwork / Performance:* 3 to 4 page description paper, following the
formatting in the Word template at
http://xcoax.org/xCoAx_2018_PaperTemplate.docx
Revision of proposals will be double-blind. Proposals should provide a
clear description of the work, one or more URLs for access to relevant
media assets, and a technical rider (layout, setup, required equipment).
All accepted works will be allotted 7 minutes presentation time at the
conference. Artworks will be part of the exhibition, performances will
be allotted a maximum of 30 minutes on stage during the performance
night. The proceedings will publish an extended abstract to be provided
by the authors after the conference.
*Doctoral symposium:* 2 pages research paper, following the formatting
in the Word template at
http://xcoax.org/xCoAx_2018_DoctoralSymposiumTemplate.docx
The title of your submission should start with "DS:", e.g. "DS:
Parametrisation in Visual Art". Revision of proposals will be
single-blind. A revised version will be requested for inclusion in the
proceedings after the symposium.
Doctoral Symposium
The symposium will provide students the opportunity to present their
doctoral research and receive feedback on their work-in progress from
established researchers and from other participants. The symposium aims
to foster the discussion of research topics and approaches, and to
promote interaction between the research community.
To apply as a student participating in the Doctoral Symposium you should
provide a single document including a research paper and letter of
support by your advisor.
The research paper should include: 1) Purpose of the research and its
importance to the field; 2) Brief survey of background and related work;
3) Description of the proposed approach; 4) Expected contributions; 5)
Progress towards goals.
The letter of support should provide an assessment of the current status
of the research and mention areas that could benefit from feedback from
other experienced researchers.
The first xCoAx Doctoral Symposium, in 2017 was chaired by Frieder Nake
and Philip Galanter.
Additional information and submission details
* All works must be submitted via EasyChair:
https://easychair.org/conferences/?conf=xcoax2018
* Submissions must be original and will be rigorously reviewed by an
international and multidisciplinary scientific committee, in a
process that will assess originality, relevance, artistic and
technical achievements;
* Submissions should be presented as .pdf files with all the media
files embedded or linked to online resources;
* Final versions for publication should be delivered in .docx with all
the images and other media files attached as independent files;
* All images and media assets must be cleared for publication by the
authors;
* At least one of the authors of each selected contribution must
register to the conference before the first author registration
deadline in order for the work to be published in the proceedings;
* xCoAx’s working language is English;
* xCoAx’s conference proceedings (with ISBN) will be published online;
* A selection of works will be published in a forthcoming special
issue of CITAR’s Journal of Science and Technology of the Arts;
* Please contact the program chairs at info at xcoax.org with any
questions regarding submissions.
Conference format
*Wednesday 11* afternoon: Doctoral symposium.
*Wednesday 11* evening: Opening of the exhibition, reception cocktail.
*Thursday 12*: Conference, keynote, performances. Presentations will be
organised in panels chaired by a moderator that will lead a final
discussion with authors and audience. A guest keynote will close the day.
*Thursday 12* evening: Performances.
*Friday 13*: Conference, keynote, artworks and performances session. The
morning will be dedicated to further paper panels, while in the
afternoon, the artworks and performances presentations will take place,
networking authors and audience. A second keynote address will close the
day.
*Friday 13* evening: Conference dinner.
*Friday 13* night: Closing party.
Registration
*Author registration:* € 190 — before April 30th. One author per paper.
Includes entry to conference and performances, does not include
conference dinner.
*Reduced registration:* € 60 — Non-presenting co-authors, authors
without academic affiliation, general public. Includes entry to
conference and performances, does not include conference dinner.
*Doctoral symposium:* € 60 — Includes entry to conference and
performances, does not include conference dinner.
*Conference dinner:* € 30 — Not included in the registration, also open
to non-registered accompanying persons.
Scientific committee
Adriana Sá, University of Coimbra
Alejandro Sanchez Zaragoza, MACA / ETSAM
Alessandro Ludovico, Winchester School of Art, University of Southampton
/ Neural
Alice Eldridge, University of Sussex
Alison Clifford, University of the West of Scotland
André Rangel, CITAR
Andrea González Garrán, MACA / ETSAM
Andreas Broeckmann, Leuphana Arts Program, Lüneburg
Andreas Muxel, Faculty of Design at University of Applied Sciences Augsburg
Andreas Zingerle, kairus.org / Woosong University
Andres Burbano, School of Architecture and Design, Universidad de los
Andes, Colombia
Anne Balsamo, University of Texas at Dallas
Anneke Pettican, Department Lead Art & Communication, University of
Huddersfield
Arne Eigenfeldt, Simon Fraser University
Atxu Amann, MACA / ETSAM
Boris Debackere, V2
Carlos Guedes, New York University Abu Dhabi
Caroline Claisse, Art and Design Centre / Sheffield Hallam University
Chara Lewis, Manchester School of Art, Manchester Metropolitan University
Christian Faubel, Academy of Media Arts Cologne
Cristina Sá, CITAR / Portuguese Catholic University, School of Arts
Dale MacDonald, University of Texas at Dallas
Daniel Schorno, STEIM
Daphne Dragona, Transmediale
Filipe Pais, Ensadlab, Ensad, Paris
Francesca Pasquali, University of Bergamo
Francisco Cardoso Lima, Independent Artist, Aveiro
Frieder Nake, University of Bremen & Hochschule für Künste Bremen
Graeme Truslove, University of the West of Scotland
Heitor Alvelos, ID+ / Faculty of Fine Arts, University of Porto
Irina Spicaka, CC4AV
João Cordeiro, CITAR / University of West London
Jason Reizner, Bauhaus-Universität Weimar
Jingyin He, Yale-NUS College
Jon McCormack, Monash University
Julio D'Escriván, University of Huddersfield
Kristin Mojsiewicz, Edinburgh College of Art, University of Edinburgh
Linda Kronmann, kairus.org / Woosong University
Luís Gustavo Martins, CITAR / Portuguese Catholic University
Luísa Ribas, ID+ / CIEBA / Faculty of Fine Arts, University of Lisbon
Manuela Naveau, Ars Electronica
Mario Verdicchio, University of the West of Scotland
Martin Kaltenbrunner, Kunstuniversität Linz
Miguel Carvalhais, INESC TEC / Faculty of Fine Arts, University of Porto
Mona Kasra, University of Virginia
Nathan Wolek, Stetson University
Nuno N. Correia, Madeira Interactive Technologies Institute
Pablo Garcia, School of the Art Institute of Chicago
Paulo Ferreira Lopes, Portuguese Catholic University, School of Arts
Pedro Cardoso, ID+ / Faculty of Fine Arts, University of Porto
Penousal Machado, University of Coimbra
Philip Galanter, Texas A&M University
Roxanne Leitão, Central Saint Martins, University of the Arts London
Rui Penha, INESC TEC / FEUP
Rui Torres, Faculty of Human and Social Sciences, University Fernando
Pessoa, Porto
Samuel Van Ransbeeck, UCP-CITAR
Sophie-Carolin Wagner, Austrian National Library / RIAT
Shusha Niederberger, House of Electronic Arts Basel
Susan Grabowski, compArt, University of Bremen
Titus von der Malsburg, Department of Linguistics, University of Potsdam
Thor Magnusson, University of Sussex / ixi audio
Valentina Nisi, University of Madeira
Valentina Vuksic, Zurich University of the Arts
Victoria Bradbury, University of North Carolina, Asheville
Organizing committee
André Rangel, CITAR
Andrea González Garrán, MACA / ETSAM
Jason Reizner, Bauhaus-Universität Weimar
Luísa Ribas, ID+ / CIEBA / Faculty of Fine Arts, University of Lisbon
Mario Verdicchio, University of the West of Scotland
Miguel Carvalhais, INESC TEC / Faculty of Fine Arts, University of Porto
Local organizing committee
Alejandro Sanchez Zaragoza, MACA / ETSAM
Andrea González Garrán, MACA / ETSAM
Atxu Amann, MACA / ETSAM
Steering committee
Alison Clifford, University of the West of Scotland
André Rangel, CITAR
Graeme Truslove, University of the West of Scotland
Jason Reizner, Bauhaus-Universität Weimar
Luísa Ribas, ID+ / CIEBA / Faculty of Fine Arts, University of Lisbon
Mario Verdicchio, University of the West of Scotland
Miguel Carvalhais, INESC TEC / Faculty of Fine Arts, University of Porto
Pedro Tudela, i2ADS / Faculty of Fine Arts, University of Porto
Contacts
info at xcoax.org <mailto:info at xcoax.org>
@xcoaxorg
facebook.com/xcoax.org
Copyright © 2017 xCoAx, All rights reserved.
*Our mailing address is:*
xCoAx
Avenida Rodrigues de Freitas, 265
Porto 4049-021
Portugal
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