[spectre] Photography of and from the future: Photomediations Machine

[Joanna Zylinska]

We have the pleasure to announce eight new contributions to the curated 
online space Photomediations Machine. In one way or another, they all 
engage with the nature of the photographic medium and its relationship 
with time as not just as something that passes but as active shaping of 
what is to come:
http://www.photomediationsmachine.net

-    A posthuman natural history of the future, by Alexa Horochowski:
http://photomediationsmachine.net/2015/01/13/club-disminucion/

-    Psychoanalyst Benjamín Mayer Foulkes writes about a new vision of 
the image by blind photographer Evgen Bavcar:
http://photomediationsmachine.net/2015/01/13/the-blind-photographer/

-    Masha Tupitsyn’s audio history of amour in cinema is a love 
manifesto presented as a philosophy notebook:
http://photomediationsmachine.net/2014/12/09/love-sounds/

-    The Exploding Plastic Inevitable: Andy Warhol’s multi-screen 
multimedia environment:
http://photomediationsmachine.net/2014/12/09/andy-warhols-exploding-plastic-inevitable/

-    Conan: Bartosz Wajer’s images produced directly on the sensor of a 
dismantled digital camera:
http://photomediationsmachine.net/2015/01/13/conan/

-    Korean artist Jang Suk-Joon uses digital media to create portrayals 
of landscapes:
http://photomediationsmachine.net/2014/12/09/jang-suk-joon-and-the-modern-landscape/

-    I Caught It at The Movies: Elaine Whittaker’s mixed media 
installation of digital images, painting and live bacteria:
http://photomediationsmachine.net/2014/12/09/i-caught-it-at-the-movies/

-    Jisun Choi’s sculpted suitcases as symbolic containers for human 
anxiety:
http://photomediationsmachine.net/2015/01/13/in-case/


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PHOTOMEDIATIONS MACHINE
http://www.photomediationsmachine.net

Photomediations Machine is a curated online space where the dynamic 
relations of mediation as performed in photography and other media can 
be encountered, experienced and engaged.

Photomediations Machine adopts a process-based approach to image making 
by tracing the technological, biological, cultural, social and political 
flows of mediation that produce photographic objects. Showcasing 
theoretical and practical work at the intersections of art and 
mainstream practices, Photomediations Machine is both an archive of 
mediations past and a site of production of media 
as-we-do-not-know-them-yet. Photomediations Machine is non-commercial, 
non-profit and fully open access.

Curated by Joanna Zylinska and Ting Ting Cheng, Photomediations Machine 
has an International Advisory Board which includes Katherine Behar, Lisa 
Cartwright, Alberto López Cuenca, Asbjørn Grønstad, Richard Grusin, 
Sarah Kember, Max Liljefors, Melissa Miles, Nicholas Mirzoeff, W.J.T. 
Mitchell, Luiza Nader, Nina Sellars, Jonathan Shaw, Katrina Sluis, 
Marquard Smith, Hito Steyerl and Bernadette Wegenstein. It is a sister 
project to the online open access journal Culture Machine 
(http://www.culturemachine.net), established in 1999.

Website: http://www.photomediationsmachine.net
Follow us on Twitter: @Photomediations
Visit us on Facebook: http://www.facebook.com/photomediations.machine

Submissions invited:
http://photomediationsmachine.net/submissions/

-- 
Professor Joanna Zylinska
Department of Media and Communications
Goldsmiths, University of London
http://www.joannazylinska.net

Curator of Photomediations Machine
http://www.photomediationsmachine.net

NEW BOOK, Minimal Ethics for the Anthropocene, available open access:
http://www.openhumanitiespress.org/minimal-ethics.html