[spectre] Gaming, open media and post-digital visuality: 8 new posts in Photomediations Machine

[Joanna Zylinska]

We have the pleasure to announce eight new contributions to 
Photomediations Machine:
http://www.photomediationsmachine.net

* In a series of thought-provoking images and commentaries, Richard 
Whitlock explores whether photography can overcome perspective:
http://photomediationsmachine.net/2014/05/18/non-perspectival-photography-towards-a-post-digital-visuality/

* Newfotoscapes is a freely available collection of original interviews 
with key stakeholders in photography, such as Charlotte Cotton, Mishka 
Henner and Katrina Sluis, curated by Jonathan Shaw:
http://photomediationsmachine.net/2014/05/18/newfotoscapes/

* All Our Yesterdays is a virtual exhibition of unique European photographs:
http://photomediationsmachine.net/2014/05/17/all-our-yesterdays/

* In Transubstantiation Mexican artist Elizabeth Castro Regla sees light 
as the vital impetus that illuminates and animates inert matter:
http://photomediationsmachine.net/2014/05/17/transubstantiation/

* What are the real effects of digital gaming on our fingers, hands, and 
bodies? Matteo Bittani and Iocose investigate:
http://photomediationsmachine.net/2014/03/30/game-arthritis/

* Three Moments by Rob Coley, Dean Lockwood and Adam O’Meara is a 
collaborative experiment in philosophizing with a (still and moving) camera:
http://photomediationsmachine.net/2014/03/29/three-moments/

* In the age of open source and open access, what does it mean for 
artists and photographers to work with open images? Hito Steyerl’s new 
project offers some answers:
http://photomediationsmachine.net/2014/03/29/open-images/

* In David Jacques' North Canada – English Electric, a retired worker 
habitually returns as an amateur photographer to the sites he was 
previously employed at:
http://photomediationsmachine.net/2014/03/29/north-canada-english-electric/


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PHOTOMEDIATIONS MACHINE
http://www.photomediationsmachine.net

Photomediations Machine is a curated online space where the dynamic 
relations of mediation as performed in photography and other media can 
be encountered, experienced and engaged.

Photomediations Machine adopts a process-based approach to image making 
by tracing the technological, biological, cultural, social and political 
flows of mediation that produce photographic objects. Showcasing 
theoretical and practical work at the intersections of art and 
mainstream practices, Photomediations Machine is both an archive of 
mediations past and a site of production of media 
as-we-do-not-know-them-yet. Photomediations Machine is non-commercial, 
non-profit and fully open access.

Curated by Joanna Zylinska and Ting Ting Cheng, Photomediations Machine 
has an International Advisory Board which includes Katherine Behar, Lisa 
Cartwright, Alberto López Cuenca, Asbjørn Grønstad, Richard Grusin, 
Sarah Kember, Max Liljefors, Melissa Miles, Nicholas Mirzoeff, W.J.T. 
Mitchell, Luiza Nader, Nina Sellars, Jonathan Shaw, Katrina Sluis, 
Marquard Smith, Hito Steyerl and Bernadette Wegenstein. It is a sister 
project to the online open access journal Culture Machine 
(http://www.culturemachine.net), established in 1999.

Website: http://www.photomediationsmachine.net
Follow us on Twitter: @Photomediations
Visit us on Facebook: http://www.facebook.com/photomediations.machine

Submissions invited:
http://photomediationsmachine.net/submissions/

-- 
Professor Joanna Zylinska
Department of Media and Communications
Goldsmiths, University of London

http://www.joannazylinska.net

Curator of Photomediations Machine
http://www.photomediationsmachine.net