[spectre] New Podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I

Radio Web MACBA rwm2008 at gmail.com
Fri Mar 14 09:12:08 CET 2014


MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I


Produced by Rosanna Arbon



Link: http://rwm.macba.cat/en/research/memorabilia-eric-isaacson/capsula
PDF: http://rwm.macba.cat/uploads/20140313/Memorabilia_Eric_Isaacson_eng.pdf



Collecting music began as a private pursuit for Eric Isaacson, from the age
of five he was recording songs off the radio and making his own mix tapes.
His biggest undertaking was reconstructing the Beatles back catalogue,
track by track, album by album entirely off the radio which took him four
years to complete. That kind of behaviour might lead you to believe the
young Isaacson would grow to be one of the breed of sound collectors that
William Bennett refers to as the completists, but Isaacson is far from it.
Around 300 records make it into his personal collection at one time, it
seems a small amount for someone who runs a record label but Isaacson's
collection is constantly on the move - he gets hold of records as quickly
as he gets rid of them because ultimately what matters most is the
contemporary relationship he is having with each record in his collection.
'I'd go insane otherwise,' he says, 'my interests go in such different
directions, I would have to have 50,000 records to represent what I'm into
and that's impossible.' In lieu of a physical collection, Isaacson's
notebooks which are filled with lists of songs that either have or might
make their way on to a Mississippi release are a testament to the extensive
amount of records that have been a part of his life over the past ten
years.

Isaacson's unique design sensibility adorns the covers of Mississippi
releases, early influences include Daniel Johnston and punk rock zines,
whilst more recent influences include the cover art of Folkways Records and
Indian Tantra art, but as with Isaacson's sound collection, his artistic
influence is vast. Isaacson says his style was created by his limitations:
'I had to find a unique voice because I couldn't use tricks or skills,
flashing lights or dazzling techniques'. Isaacson's cover art is bold,
colourful and raw, the imagery is almost cryptic at times and as such
Mississippi releases can't help but stand out on any shelf.



You can find the complete MEMORABILIA. Colllecting sound with... podcast
series here:

http://rwm.macba.cat/en/memorabilia_tag/

Enjoy!
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