[spectre] ]a[ akademie der bildenden künste wien| Opening: I AM ANOTHER WORLD, 11/21/2013, 7 p.m.

[Warren Neidich Studio]

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Dear Friends,

I will be in Vienna for the opening,
it'd be great to say hello

yours

warren

www.warrenneidich.com ( http://www.warrenneidich.com/ )
http://officeofaestheticoccupation.blogspot.com (
http://officeofaestheticoccupation.blogspot.com/ )

I AM ANOTHER WORLD

Artistic Authorship between Desubjectivization and Recanonization

Susanna Campbell, Gerard, Butcher, Andy, Warren Neidich, from the
Unknown Artist Series, 1992-1994

I AM ANOTHER WORLD

Artistic Authorship between Desubjectivization and Recanonization

Opening: November 21, 2013, 7 p.m.
Exhibition dates: November 22, 2013 – January 12, 2014
Conference I am another world January 10 and 11, 2014
Venue: Academy of Fine Arts Vienna, xhibit
Schillerplatz 3, 1010 Vienna
Phone (+43 1) 588 16-0 ( tel:%28%2B43%201%29%20588%2016-0 )
www.akbild.ac.at/xhibit
Curators: Georgia Holz, Claudia Slanar
Exhibition design: Seth Weiner

Artists: Hina Berau / Judith Fischer, Ursula Bogner, Dagmar Buhr, The
Buried Alive Group, Zoe Crosher, Carola Dertnig / Lora Sana, Justine
Frank, Mario Garcia Torres, Janez Janša, Janez Janša, Janez Janša,
Barbara Kapusta, Matthias Klos, Maxim Komar-Myshkin, Warren Neidich,
Roee Rosen, SUPER VÉRO, Mathilde ter Heijne, Unknown Artist, Laura
Wollen, Donelle Woolford, Ronda Zheng / Ricarda Denzer / Isa
Rosenberger

There are many reasons why artists appear as fictive persons or
anonymously in a collective and create narratives situated between
fiction and reality: as reference to gaps or blind spots in an
otherwise discursively safeguarded canon, as a critique of
institutional structures of authorship or their representational
politics of normative gender roles and ethnicity, as protection from
political persecution, and, last, not least, to demystify the inflated
figure of the artist person. Collective authorship is currently
situated on the fault lines of a deconstructed, postmodern concept of
the subject and the anarcho-activist forms of resistance and critique
of capitalism that may (and must) be organized collectively. These
formations also refer to issues of virtual identities and the
phantasms of their respective security policies. Narrative and
documentary evidence still seems to be central to the construction of
alternative identities and the camouflaging of their fictitiousness
when it comes to revealing the claim to truth of both historicizing
discourses and canonical formations in art history: historiography and
memory can be reconstructed and reevaluated this way.

In this respect the exhibition attempts to trace several questions:
Does the "death of the author" go hand in hand with the rebirth of the
audience or the reinvention of artistic sovereignty? Is the desire to
contest authenticity and to form collective authorship a means to
resist the post-Fordist pressure of individualization? The
artist-subject seems to depend on splitting up by means of the
aforementioned strategies of camouflage and disguise in order to
"survive," as he/she already has to play so many roles and fill so
many gaps in today's capitalist society.

Further Information (
http://www.akbild.ac.at/Portal/einrichtungen/xhibit/ausstellungen/akbild_event.2013-09-25.6991844054/?backurl=http://www.akbild.ac.at/Portal/akademie/aktuelles/ausstellungen/ausstellungen/folder_summary_view?set_language=de&cl=de
)

___________________________________________

]a[ akademie der bildenden künste wien
Claudia Kaiser
Public Relations Office
Schillerplatz 3 | A-1010 Wien
T +43 (1) 588 16-1300 ( tel:%2B43%20%281%29%20588%2016-1300 ) | F +43
(1) 588 16-1399 ( tel:%2B43%20%281%29%20588%2016-1399 )
c.kaiser at akbild.ac.at
www.akbild.ac.at

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