[spectre] Berlin June 24th: KATHERINE LIBEROVSKAYA w/ AL MARGOLIS,
BILLY ROISZ
Manuela Benetton
manuela.benetton at gmail.com
Tue Jun 19 12:26:06 CEST 2012
Apologies for cross-posting
Sunday, June 24th - 8pm
at *Liebig12*, Liebigstr. 12 - 10247 Berlin, Friedrichshain
*A night of experimental Audio/Visual performances feat. **Katherine
Liberovskaya* *w/** Al Margolis, Billy Roisz*
*
Katherine Liberovskaya* is a video/media artist based in Montreal and New
York. Involved in experimental video since the 80s, she has produced
numerous videos, video installations and performances shown at various
events and venues around the world. Since 2001 her work predominantly
focuses on collaborations with composers and sound artists notably in live
video+sound performance. Frequent collaborators include Phill Niblock, Al
Margolis/If,Bwana, Zanana, Kristin Norderval, Hitoshi Kojo, David Watson,
David First and o.blaat (Keiko Uenishi). Recent projects have involved:
Shelley Hirsch, Chantal Dumas, Leslie Ross, Richard Garet. Concurrently she
curates and organizes the Screen Compositions evenings at Experimental
Intermedia, NYC, since 2005 and the OptoSonic Tea series with Ursula
Scherrer at Diapason, NYC, since 2006.
www.liberovskaya.net
*Al Margolis (If, Bwana) *has been an activist in the 1980s American
cassette underground through his cassette label Sound of Pig Music; was
co-founder of experimental music label Pogus Productions, which he
continues to run. Active under the name If, Bwana since 1984, making music
that has swung between fairly spontaneous studio constructions and more
process-oriented composition. He has been collaborating in live performance
the past few years with video artist Katherine Liberovskaya, as well as in
a duo with Tom Hamilton (electronics and objects); a laptop duo with Doug
Van Nort; and a violin/bass duo with James Ilgenfritz.
www.pogus.com
www.myspace.com/ifbwana
*Billy Roisz* lives and works in Vienna/Austria. Since late 1990s, dealt
intensively with video and sound. Her work focuses on the links and gaps
between visual and auditive perception. Roisz questions the interaction
between sound and image, the interchangeability or unity of the
electromagnetic signal in the generating machines which create image or
sound. The realisation of her experiments takes place in live performances,
single screen works and audio-visual installations, solo or in
collaboration with musicians of experimental music and noise as well as
composed new and old music, dance and theatre.
Int. Film/Music Festivals (selection of screenings and/or live
performances):
TRANSMEDIALE Berlin 2012/DE, BERLINALE Shorts Competition 2012/DE, IFF
Rotterdam02/03/05/07/09/10/NL, EXIS Seoul 05/07/09/KR, Imageforum Tokyo
03/08/JP, Feedback: Orderfrom Noise UK tour 04/UK, garage Festival
Stralsund04/05/DE, UNYAZI 05/ZA, Beyond Innocence Festival 05/JP, SONIC
ACTS XI 06/NL, DONAUFESTIVAL 06/09/10/AT, SYNCH FESTIVAL 06/GR, Kill Your
Timid Notion 07/UK, The Long Weekend/Tate Modern 07/UK, Relay Seoul
07/10/KR, LMC Festival 07/UK, Next Festival 08/SK, TOKYO<->WIEN MODERN
2010/JP, SIGNAL & NOISE 2010/CA, SUONI PER IL POPOLO 2010/CA, Ultrahang
2010/HU
http://billyroisz.klingt.org/
more info: www.liebig12.wordpress.com
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