[spectre]
(fwd) ACAF July Lectures: Vlad Nanca, Rana Dasgupta, Raimi Gbadamosi
Andreas Broeckmann
ab at mikro.in-berlin.de
Tue Jun 30 12:02:04 CEST 2009
Subject: July Lectures: Vlad Nanca, Rana Dasgupta, Raimi Gbadamosi
From: "Alexandria Contemporary Arts Forum" <office at acafspace.org>
Date: Mon, 29 Jun 2009 12:16:59 +0000 (UTC)
A.K.A. EDUCATION? - Art Known as Education
A Program of Events & Projects Running May -
October 2009 PLEASE DOWNLOAD A.K.A. EDUCATION?
PRESS RELEASE IN ENGLISH/ARABIC AT THE FOLLOWING
LINK:
<http://www.emailbrain.com/sendlink.asp?HitID=1246277723000&StID=83041&SID=1&NID=525110&EmID=121910590&Link=aHR0cDovL2FrYWVkdS1hY2FmLndpa2lzcGFjZXMuY29tL3BkZnMlMjA%3D>http://akaedu-acaf.wikispaces.com/pdfs
PUBLIC LECTURES IN JULY 2009
Vlad Nanca lives and works in Bucharest A talk
by Vlad Nanca, Saturday 4 July 7 pm
ABSTRACT
Vlad Nanca will deliver a presentation on his
work and his personal course as an artist,
drawing attention towards utilizing DIY (do it
yourself) methods and tactics in pursuing an art
career (self education, exhibiting, networking).
Vlad Nanca (BIO)
Vlad Nanca (1979) lives and works in Bucharest.
Artist and sometimes curator Nanca studied
photography and video at the University of Arts
in Bucharest. Drawing on the environment and
influence of Bucharest life, he documents
urbanity through his photography. He is the
founder of the Bukresh
blog(<http://www.emailbrain.com/sendlink.asp?HitID=1246277723000&StID=83041&SID=1&NID=525110&EmID=121910590&Link=aHR0cDovL3d3dy5idWtyZXNoLmJsb2dzcG90LmNvbQ%3D%3D>bukresh.blogspot.com)
and is actively involved in the progression of
the citys art-scene hosting home galleries
(2020 homegallery 2003-2007, Apartamentul 17
2008-) and curating exhibitions (Wait
2006, Back
to the future/Cu Spatele la Viitor 2007, at
Galeria Noua, Bucharest) to encourage and support
local artists by offering a platform to show
their work. Utilizing different mediums his
varying projects employ political and cultural
codes, often using word-play to evoke a
rethinking of nostalgia, referencing Romanias
recent past, and challenging the current social
and political climate (I do not know what union I
want to belong to anymore, Original Adidas,
Terrorist Balloon, Proposal for the National
Redemption Cathedral, etc). Recently Nanca
successfully collaborated with other artists as
with Janek Simon in Remix (Raster Gallery,
Warsaw, Poland) and with Mircea Nicolae and
Nicoleta Esinencu for two site specific
installations in Chisianu Moldova (part of the
Inteventii 3 festival).
Lecture by Rana Dasgupta 12 July 2009, 7 pm
ABSTRACT
Author of two novels, Rana Dasgupta nonetheless
feels that he is working in a waning cultural
form. The inescapable centrality of human
character to the novel makes it difficult to bend
fiction to the condition of the twenty-first
century, and condemns the novel, too often, to
besiegement and nostalgia. In this lecture, he
will tell stories that novels cannot tell - and
explain why he draws his inspiration less from
literature than from the art world. What is at
stake is the question of a contemporary global
"citizenship," and the role of various creative
practices in elaborating new forms of being.
Rana Dasgupta (BIO)
Rana Dasgupta was born in England in 1971. Having
lived in France, Malaysia and the United States,
he moved to Delhi in 2001. He is the author of
"Tokyo Cancelled" (2005) and "Solo" (2009).
Art and the Nation State
A Lecture by Raimi Gbadamosi, 19 July, 7 pm
ABSTRACT
Raimi Gbadamosi will look at art as a device for
constructing the social self, determined by the
polis, not governing bodies. What is the role of
the monument as against the public sculpture? How
is art made in isolation transformed into an
instrument of nation building? What is the role
of international exhibitions and art fairs in
projecting the image of the nation state? How
does the diplomatic and in some cases military
apparatus of the nation state affect the
consumption of and placement of art and artists
on the world stage? What does the nation benefit
from supporting culture financially and
diplomatically when the monies made rarely
circulate beyond a small group, and the credit
goes to the individual artist? What is the place
of ephemeral works in the nations image of
itself? What does the artist give up when they
choose to inadvertently represent the nation?
Where do ephemera and ephemeral practices fit in
the creation of national and social construction?
Raimi Gbadamosi (BIO)
Raimi Gbadamosi is an artist, writer and curator.
He received his Doctorate in Fine Art from the
Slade School of Fine Art,. He is a member of the
Interdisciplinary Research Group 'Afroeuropeans',
University of Leon, Spain, and the 'Black Body'
group, Goldsmiths College, London. He is also on
the Editorial board of Third Text. Recent
national and international shows and events
include: ARCO Madrid 2009; Tentativa De Agotar Un
Lugar Africano, CASM, Barcelona 2008; Human
Cargo, Plymouth Museum & Art Gallery, Plymouth
2007; Port City, Arnolfini, Bristol 2007. ARCO
2009, Madrid/. Work media including multiples,
music, websites, writing and audience
participation. Works creates debate, instead of
representing preconceived concerns defined by
specific social, cultural and political cant.
Books include: incredulous; ordinary people;
extraordinary people; contents; Drink Horizontal;
Drink Vertical; The Dreamers' Perambulator; and
four word. The Republic
(<http://www.emailbrain.com/sendlink.asp?HitID=1246277723000&StID=83041&SID=1&NID=525110&EmID=121910590&Link=aHR0cDovL3d3dy50aGUtcmVwdWJsaWMubmV0>www.the-republic.net)
negotiates the meeting of language and social
constructions. Recent essays include: The Not-So
New Europeans, Wasafiri UK (current issue), and
The Delight of Giant-Slayers: Or Can Artists
Commit Their Lives to Paper? ArtMonitor, Sweden.
Alexandria Contemporary Arts Forum (ACAF) 10
Hussein Hassab Street, Flat 6, Azarita,
Alexandria, Egypt T: +20 (0)3 480 41 45, E:
office at acafspace.org
<http://www.emailbrain.com/sendlink.asp?HitID=1246277723000&StID=83041&SID=1&NID=525110&EmID=121910590&Link=aHR0cDovL3d3dy5hY2Fmc3BhY2Uub3Jn>www.acafspace.org
Opening times: Open during events/exhibitions
from 1 9 pm, otherwise by appointment only.
The A.K.A. Education? program is supported by
The Embassy of the Kingdom of the Netherlands,
Cairo and Pro Helvetia, Cairo
<>
Alexandria Contemporary Arts Forum (ACAF)
- 10 Hussein Hassab
Street, Flat # 6, Azarita, Alexandria, -, Egypt
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