[spectre] content vs. tools (was: Sharing is Sexy.org is live)
jaromil
jaromil at dyne.org
Tue Jan 22 19:04:45 CET 2008
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re all,
good old dichotomy, still interesting... let me elaborate please
On Sat, Jan 05, 2008 at 11:55:09AM +0100, zeljko wrote:
> On Jan 5, 2008 11:04 AM, Rob Myers <rob at robmyers.org> wrote:
> > This cannot be described as "Open Source"
>
> True. But not so relevant. It is much more interesting what this
> can inscribe then be described.
>
> > because commercial use is not
> > allowed. This breaks the Open Source Definition, Debian Free Software
> > Guidelines, Freedom Defined and the Free Software Definition. Using
>
> wrong argument.
> ...you are mixing Free Software and Open Source (in 2008 ;-)...
>
> > BY-SA rather than BY-NC-SA would solve this.
>
> ...with CC licencing schemes, which do overlap to a point but are
> separate.
The fundamental difference here is between *content* and *tools*:
The FOSS movement is about software tools: as many other creative
tools, the importance to be free (as in speech, not as in beer) is
related to the autonomy and independence of productive use - access to
mediatic production means - possibility to create local economies.
It is a captious error to relate the *social need* of FOSS (and more
in general for an idealistic total freedom in reproducing production
means) to the *strategy* of total freedom in content, where freedom is
not a social priority, but eventually a viral strategy for emerging
statements.
Not even the Free Software Foundation enters the merit of distribution
of art and cultural production, where a similar freedom as the one
advocated with FOSS could render the economy not sustainable anymore.
On the contrary, in case of tools that are sensible to the people's
communication, to the expression of their creativity and to the
circulation of culture, there is the need for a neutral, transparent
and modifiable framework of production shared by all.
If you consider the case that a graphic designer using proprietary
software might find it difficult to show and reproduce her/his
creations, you understand why the need for FOSS is urgent.
On the contrary, until just a few decades ago, it was much easier to
build or borrow a brush and the distribution of a painting was mostly
bound to logistical problems and not licensing issues of the canvas.
Unfortunately in the field of cultural production nowadays there is
very little public support for people building free and shared
creative infrastructures, while there is a big waste of public
resources for the statements of fewer people affording proprietary
means for their cultural production: no wonder why the nature of the
project opening this discussion is antagonistic, while it also
sympathises with open source practices.
ciao
- --
(_ http://jaromil.dyne.org _)
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