[spectre] late fwd: media art future funding debate on
::fibreculture::
Andreas Broeckmann
abroeck at transmediale.de
Wed Nov 2 08:59:09 CET 2005
(this forward comes a little late, yet it follows on from our thread
in september... for all i know, there is still no official news about
the ICC. we are also considering how to continue this discussion at
transmediale.06 in february - suggestions are welcome! greetings, -a)
> From: s|a|m <sam at myspinach.org>
> Date: 28 September 2005 1:24:26 AM
> To: fibreculture at lists.myspinach.org
> Subject: ::fibreculture:: OzCo more ...
>
> Hi,
>
> It's great to see some talk on FC about the OzCo.
>
> I just wanted to quickly reflect on something David Teh said in a
> recent post about reflecting about the Vital Signs gathering.
> At one of the presentations I mentioned something along the lines of:
> "let's begin to imagine a world without the Australia Council". I just
> wanted to clarify that I wasn't advocating the wiping out of the OzCo
> - but rather - my point was within the context of new media arts
> funding, perhaps the OzCo was now of lower priority.
>
> What I was hoping for was people being excited with the possibility of
> imagining a new fund and a new support environment for 'new media'
> art/culture practioners, based on principles and values that are
> relevant to a 21st century.
>
> Reflecting very quickly of Keith's 'ecosystem' metaphor - I think we
> must also ask ourselves where we belong in that ecosystem ... Let's
> remember the cockroaches, vultures, peacocks and other 'animals' that
> exist within the system... But it's definitely a good start to
> re-think the OzCo ... and let's hope it doesn't simply remain in essay
> form :-)
>
> The last thing I'd like to leave with is the Herald Sun report about
> City of Melbourne's Art/Culture funding round... It's a predictable
> story that pops up after each funding round: " Melbourne City
> Council is under fire for funding a grab-bag of fringe art projects
> while ignoring many with mainstream appeal or community benefit."
> http://www.heraldsun.news.com.au/common/story_page/
> 0,5478,16733681%255E2862,00.html
>
> Definitions: "experimental art" = "new media art" = "fringe art"
>
> Luckily, we are still in the early stages ... We need to think along
> the lines of preventive (pre-emptive) detention ...
>
> Best wishes, Sam
>
>
>
>
>
>
> Julianne Pierce wrote:
>
>> Hi David and FC.
>>> From last Friday's SMH, some further elaboration on Keith Gallasch's
>> 'slime mould' metaphor. For the full mould, make sure to read Keith's
>> essay 'Art in a Cold Climate: Rethinking the Australia Council'
>> published by Currency Press and released next week.
>> cheers Jules
>>
>> +++++++
>>
>> Critic blasts Australia Council for leaving too many artists out in
>> the cold
>>
>> By Lauren Martin
>> September 23, 2005
>>
>> The arts are an ecosystem and artists are like slime mould, says the
>> cultural critic Keith Gallasch.
>>
>> This, science confirms, is good, because slime moulds can turn
>> themselves into new shapes for survival.
>>
>> But Gallasch believes there's a new omnivore threatening the
>> ecosystem: the Australia Council for the arts.
>>
>> Critiquing the council's continuing re-organisation, Gallasch says it
>> is winding back evolution, leaving "clients" (as the council calls
>> artists) and "stakeholders" out in the cold.
>>
>> The council is in danger of dedicating too many of its resources to
>> keeping itself alive, he says.
>>
>> In this ecosystem, Gallasch says, some long-lived species, such as the
>> major performing arts organisations, are protected but others are in
>> need of protection.
>>
>> "The restructured Australia Council positions itself above the arts
>> ecosystem of which it has long been a part," he says. With its funding
>> essentially frozen and its roles multiplying, it is less responsive to
>> the emergence of ideas and forms that regenerate the arts, he says.
>>
>> Gallasch outlines some radical suggestions for the way forward in his
>> essay Art in a Cold Climate: Rethinking the Australia Council, the
>> latest in Currency Press's Platform Papers essays on the performing
>> arts.
>>
>> The Major Performing Arts Board, which handles 29 established
>> companies and accounts for $77 million (more than half) of the
>> council's grants, should be run independently of the council and
>> directly funded by the Federal Government, he says. This would
>> invigorate the board's work and challenge its members to be more
>> innovative.
>>
>> The council's manager, Jennifer Bott, counters Gallasch's suggestion
>> by pointing out these companies have gone from producing 75 Australian
>> works in 1999 to 207 in 2004: "That's playing a fairly major role in
>> creating our culture."
>>
>> Gallasch says the council's audience and market development section
>> should become autonomous, too, and focus more on promoting Australian
>> arts companies internationally. Under the current restructure it is
>> absorbing the more grassroots community cultural development board.
>>
>> Simplifying the council's broader structure would make it more
>> efficient at its tasks, Gallash says. "If the Australia Council starts
>> representing everything, monolithically, you're much better off with
>> ... different organisations talking to each other."
>>
>> The council's challenge is to rediscover its capacity for innovation,
>> he believes. He calls the existing restructure - which includes
>> folding the experimental boards, New Media Arts and Community Cultural
>> Development, into other areas - regressive.
>>
>> The council contends the idea is to spread the focus on innovation
>> through all the art form boards (music, dance, theatre, visual arts).
>> But Gallasch believes it will just leave experimental works
>> marginalised.
>>
>> He's particularly distressed at the council's plan to take $9 million
>> in strategic funds and use it for its own large-scale projects. "These
>> are big one-offs that will drink up millions, and they may or may not
>> work. If they don't really come from the arts themselves, what are
>> they going to be?" The move suggests the council "thinks it can do
>> better than artists", he says.
>>
>> But Gallasch is not fatalistic. "I'd like the Australia Council to
>> come back into the ecology rather than trying to shape it."
>>
>> Bott believes it is Gallasch's proposals that are turning back the
>> clock, and that the council is showing leadership. "We should be on
>> the front foot, with a vision of our own future and the future for
>> Australian arts ... otherwise we're just a chequebook."
>>
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