[spectre] [Fwd: NU-E news!]

geert geert at xs4all.nl
Fri Sep 24 11:33:52 CEST 2004


From: NU-E/mail list <maillist at nu-e.nu>
Subject: NU-E news!
Date: Fri, 24 Sep 2004 08:58:11 +0200

NU-E ­ the Web Portal to the Nordic Art Scene http://www.nu-e.nu

NU-E is now updated!
NU-E Magazine presents an interview with Roger M. Buergel, exclusively
made for NU-E (read an excerpt below), a hands on look on this summers
biggest exposé of European art Manifesta 5, by  artists and writer
Andreas Gedin. The editors of NU-E also met up with Canadian conceptual
artist Ken Lum for an interview about photography, public space and his
memories of Stockholm in the nineties. read moor at:  http://www.nu-e.nu

Upcoming:  Exclusive interview with Yinka Shonibare by John Peter
Nilsson. 

Excerpt from Interview with Roger Buergel by Robert Stasinski:

Robert Stasinski: How will you shape your discourse in relation to the
previous Documentas, is the historical dimension of importance to you? 

Roger Buergel: It will probably be, though maybe on an unconscious
level. There are certain moves that Okwui Enwezor made, like globalizing
the whole show through the idea of different platforms, of which I am
not completely convinced. I am also not convinced that the gesture of
embracing the entire planet is a right thing to do. But what is
interesting to see is that artists from various geopolitical areas in
the world are coming up with similar pieces, without knowing each other!

Robert Stasinski: What are your objections to Enwezors platform model? 

Roger Buergel: All the platforms were very exclusive as events, and it
was unclear how they would relate back to Kassel, which they obviously
did not. So I would be keener on a more fluid medium to transport
debates and aesthetic formalizations. At the moment we are thinking of
publishing Documenta Art Magazine, which would be a collaboration
between lots of art magazines, not the glossy ones, but those who are
doing substantial work around the world.
Robert Stasinski: As an editor of NU-E, representing the Scandinavian
and Nordic, I am very keen on hearing what you think of the art scene in
the north. 

Roger Buergel: I just came back from Moss, where I held a lecture at the
Momentum seminars there. The Norwegian art history from the previous
century interests me a lot. And I am very interested in the national art
agencies IASPIS, OCA, Frame, for example. Somehow they are modelled
after the Young British Artist idea, I guess. For me, as a concept, that
is not very interesting because the YBA's stayed pretty national, but
the Nordic artists, on the other hand, are urged to develop a political
and conceptual style that can be compatible with almost any biennial. So
I am wondering why they do not delve more into their local tradition,
without being localist.

NU-E editors 

Robert Stasinski ,robert at nu-e.nu

Frans-Josef Petersson, fransjosef at nu-e.nu

About NU-E http://www.nu-e.nu
NU-E  started September 24 2003. NU-E is the continuation of NU: The
Nordic Art review. NU-E is a web portal that presents articles, news,
artists, curatorial projects, an archive, a calendar, and more... In the
intersection between the global and the local, between art and text.
http://www.nu-e.nu



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